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Amphitrite appear to the crew. Similarly, when Coleridge uses Spanish and Latin phrases to describe a scene in which the Governor of Trinidad speaks in a slave patois p. The more obvious reading is as an ironically comic anecdote juxtaposing learned and unlearned language.

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It must also be noted that the Governor — Sir Ralph James Woodford — had held his post for 13 years at this point, the longest tenure of any British Governor of Trinidad. Overall, though, one cannot shake the sense that further reading of contemporary sources by the author would have been beneficial and would have alleviated the many problems of contextualisation and superficiality from which this chapter suffers. She shows how a classical physical ideal was employed as evidence of a supposed racial-cultural relationship between Greeks and Anglo-Saxons and discusses the ways in which this was used both as justification of British imperial rule and as an argument against imperialism and the attendant dangers of racial miscegenation.

This chapter constitutes an excellent contribution to the field.

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It is a lively, enlightening and wide-ranging endeavour which, like many other chapters in this volume, should be of considerable interest to students outside the usual limits of classics as well as to anyone with any interest in late Victorian reception generally. It discusses the dubious appropriation of the Bacchylides papyrus by agents of the British Museum in and the wider ideological and imperial contexts within which this and other appropriations took place.

Papyrologists and those interested in the text as artefact will find this chapter particularly worthwhile.

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The chapter covers more ground than its title suggests and represents a noteworthy addition to the study of British declinist thinking in the Victorian and Edwardian periods. One error creeps in: the Second Boer War is dated p. The latter part of the chapter examines the position of malaria in Edwardian declinist thought with some especially constructive analysis of the work of W.

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This is a fascinating essay showing classics and empire from a perspective we rarely see explored: that of the ruled rather than the ruler. Nevertheless, it is an excellent contribution, particularly in its energetic treatment of Roman-inspired architecture and entertainment in New York during the Gilded Age and in its explanation of how antiquity was used to legitimise and glorify American imperialism. Those with an interest in declinist thought will be intrigued by the way that Americans of this era, unlike earlier Americans and contemporary Europeans, embraced what they perceived as the most excessive and decadent elements of Imperial Rome without any fear of an ensuing moral decline; Malamud shows that they saw popular entertainment based on the imagined excesses of Imperial Rome not as something dangerous or threatening but as a visible manifestation of American power and wealth.

A word should be said about the illustrations, which are excellent throughout but nowhere more so than in this chapter.

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This collection leaves an impression that is overwhelmingly positive. As a whole, the work makes some very significant contributions to a neglected field of study. Surprisingly for a collection of this kind, there is quite a unitary character to the essays. Disparate and varied as they may be, they seem nevertheless to complement one another very effectively. The extensive cross-referencing contributes to the collaborative feel of the work.

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October Find this book:. In a year when commentators and Cabinet ministers will continue to offer two-dimensional explanations for the start of the First World War, a book on the topic by someone with a proven track record of delivering popular works about complex narratives is in order.

Cold Steel, Weak Flesh: Mechanism, Masculinity and the Anxieties of Late Victorian Empire

If one principally reads academic history, one tends to be unused to frequent asides and brief digressions, but here they are a delight. Logistically, too, this is impressive, keeping an awful lot of plates spinning while building a composite picture of the tangled mass of European diplomacy in a way that feels logical. While this world of the Entente Cordiale and Agadir will hardly be unfamiliar to those with a passing interest in modern history, the book is effective in providing the reader with a sense of some of the complexities of topics less frequently visited by Anglophone historiography, such as the inner workings of Austria-Hungary.

Arch Duke Franz Ferdinand before his assasination.

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Military alliances and preparedness, it was felt, were actually deterrents, much like the better-known Mutually Assured Destruction of the Cold War. In its own way, this is an endorsement of some of the most exciting historical work of recent years in this field, most notably that by Holger Afflerbach and William Mulligan, who ascribe to a revisionism that rejects the teleological argument that the Great War was an inevitable outcome of an increasingly overheating Europe.

MacMillan is as willing to lay emphasis upon uncertainties and crossed wires as she is upon finely honed offensive strategies, and highlights where imprecision within the historical record sometimes make certainties hard to come by.

source link MacMillan notes how Haldane later recalled that he and Grey had warned Ballin that Britain could not be relied upon to remain neutral in the event that Germany attacked France. In this case and many others, MacMillan is unwilling to speculate as to what really transpired. This is a book that defies easy conclusions, and is all the better for it. But, as already noted, such complexity never comes at the expense of ready comprehension.

Some have suggested that The War That Ended Peace is for specialists only, but the present reviewer would argue otherwise.